For our second-year Final project at Polimoda, we were tasked to create an editorial fashion film, with a concept of our own but utilising two collections from the fourth-year students assigned to us. In a group of three, we worked with the collections of Farnia Salim and Nansen Capici.

This film explores the intersection of emotion and utility through fragmented and symbolic moments. Set against a minimalist stage, the narrative follows boy and girl. Boy moves with mechanical precision. His motions are calculated, and his expressions are void. Girl appears quietly.
Boy and Girl find joy in absurd, oversized acts which portray quiet introspection. Their eventual connection, marks a turning point: the robotic gives way to relational.
The film concludes with the two standing hand-in-hand, unified, not by narrative, but by
shared strangeness, aesthetic, and a silent kind of love.

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2025